slash · scrubber · 120 bpm
Scrub the cut on the beat.
The Incinerator Metaphor
Scene 01 · speaker B
Clip time 00:00.00/ 01:05.02
Bar 1 · beat 1
Provenance
- Play plays
assets/audio/CLIP-1-INCINERATOR.m4a(65.02 s, sha256189c84e1…). The clock, the playhead and the rail read that file's time. - The reel ATESO-CLIP-1-INCINERATOR-REEL.mp4 (67.6 s, 4.3 MB) is one still picture held for the whole clip, over the same audio. Ten frames sampled with ffmpeg from 0 s to 67 s differ from each other by at most 2 of 255 in mean brightness, so the page keeps one frame of it here, as a poster:
scrubber/reel-poster.jpg, its frame at 1.0 s. The poster does not move.
Reel poster - Waveform: each bar is the RMS level of the 250 ms windows it covers, on a linear scale. The inspector's scene audio uses 25 ms windows the same way, scaled so that each scene's loudest bar fills its box. Silence draws as a 1 px line.
- Transcript lines come from
highlight-reel.html. Their timing was set by hand there and is not aligned to the audio. - Scene titles are desk labels, marked on the surface. Still prompts are SAMPLE: no still-frame prompt is on record for this clip. Scene 07 quotes a figure the transcript does not source.
- Every canvas frame is
seek(t), built from closed-form springs in_shared/deterministic-spring.mjs. Nothing is carried between frames and there are no CSS transitions. A view change or a scene move takes one beat (500 ms) and lands whole on a beat. Pausing and releasing the rail land on the nearest beat. - Reduced motion: views and scenes change without in-between frames.